The making of Rome's monster

Carthage burned for six days. After three long years of siege, in the spring of 146 BC Roman soldiers finally broke through the city’s defences and began to slaughter the population. But still the Carthaginians resisted. Street by street, they threw themselves at their enemy.

Rome’s relentless military machine moved from the city’s ports, across the temple-filled marketplace and up the streets that lined the central hill. There they were assailed by projectiles hurled down from roofs by women, children and old men.

Yet the Romans’ fierce assault on that already ancient city on the north African coast could not be stopped. They went from house to house, ascending to roofs, rooting out Carthaginians from their hiding places. Houses burned and bodies lined the streets while a unit of ‘sweeper’ soldiers cleared away the dead to allow access for more troops.

The scene, as told by the Greek historian Appian – in what, it seems, was an eyewitness account – paints a gruesome picture of conquest in the ancient world. It was so brutal, in fact, that the Roman commander, Scipio Aemelianus, had to change his troops frequently, sending in fresh fighters to combat the Carthaginians’ desperate attempts to defend their land, their houses, their families, their gods and their very lives.

Those attempts at defence came to nought. The people of Carthage were slaughtered or enslaved, their once-beautiful city left in smouldering ruins on the shores of the Mediterranean. As a result of the destruction, and of the memory of the wars fought between these two ancient superpowers, Carthage became an integral part of the story of Rome and its rise to empire.

Stolen story

The tale of Carthage became a lesson to all those who dared to challenge Rome. Once it had been razed, all that remained of the history of this great city was co-opted by its enemy. The story of those who had built and designed its urban landscape, its technologically superior ports, its defensive walls, and its multi-story houses with indoor plumbing and waters cisterns disappeared. So, too, the memory of its mothers, fathers, grandparents and children – all inundated beneath the tales Romans told of their great victory.

In the centuries that followed, the complex culture of Carthage was largely reduced to a simplistic account of Roman wars. Nonetheless, Carthage and all it stood for became a foundational part in the Roman story. The victors believed that, in defeating the Carthaginians, Rome had become the imperial power it is still renowned as today. That view is clear in the comments of the Roman historian Livy, writing well over 100 years after the fall of Carthage – and following many other wars – who remembered the events of the second conflict between the two powers (218–201 BC) as “the most memorable war ever fought”.

But who were the Carthaginians? We remember very few of its citizens, even though their city had stood on the north coast of Africa – its ruins now preserved just east of Tunis – for over 600 years before its destruction. Thanks to its location and rich agricultural land, Carthage was prosperous, and its influence stretched across the central and western Mediterranean, a thriving hub with connections to east and west.

The city was founded by Phoenician-speaking people in the ninth century BC – and the story of that genesis is intertwined with Roman myths of their own civilisation’s origins. In particular, one recounted by the poet Virgil (70–19 BC) told of a famous queen named Dido, who tempted the Trojan hero Aeneas and played the femme fatale in the epic story of Rome’s foundation. Born a Phoenician princess named Elishat, Dido had clashed with her brother in Tyre (now in Lebanon) and left to lead an expedition to the western Mediterranean where, according to the legend, she established her new city.

Melting pot

The Phoenician name for Carthage was Qart Hadasht – ‘the New City’. From its very earliest days, it was a melting pot of cultures. Here, north Africans (called Numidians or Libyans in the Greek and Roman sources, today known as Amazigh), Greeks and Phoenicians from ancient centres of the eastern Mediterranean lived and intermarried, along with various Semitic-speaking peoples and others from western regions.

Carthage was a melting pot of cultures where north Africans, Greeks, Phoenicians and others lived and intermarried

As the city evolved into a state, it created new citizens who, by the fifth century BC, had become Carthaginians. This colonial story reflects the origins of so many of the great cities of the western Mediterranean, whose origins were a mix of eastern Mediterranean and indigenous western peoples. Carthage was, like Rome, founded under a monarchical rule that evolved into a republican-styled oligarchy built on a mix of religious traditions and ethnicities.

Archaeological excavations have revealed more about these years. They tell us that it was not an easy start for the Carthaginians, the population growing slowly from the city’s foundation on a hill called Byrsa. But within a few centuries they were producing steel in their forges, exporting agricultural produce and importing luxury goods from the east, west, north and south.

Material found in burials in the city reflects a dialogue between different influences from the eastern Mediterranean, central Italy and the far west. There are decorated ostrich eggs and gold jewellery with Egyptian-influenced imagery, and unguents and perfumes imported in delicate vessels from the east. Carthaginians traded across the Mediterranean, and were allied to many different cities and states – including the Romans, whose earliest known treaty was with Carthage, in the sixth century BC. The two cities shared cults, competed for markets and had related families; they were friends before they ever became enemies.

The Phoenician cities of the Levant – broadly, from Lebanon to Syria, Israel and Palestine today – were conquered by the Achaemenid Persian empire in the sixth and fifth centuries BC. That changed the relationship between Carthage and its mother city, Tyre, providing the catalyst for the African city to grow into its own power. This coincided with an increasingly linked Mediterranean world and a boom in wealth and knowledge across the region – with Carthage in the middle of it all.

Phoenician-speaking peoples from ancient cities such as Byblos, Tyre, Sidon and Beirut (all in what’s now Lebanon) had spread out across the Mediterranean, bringing with them an alphabet that was adopted by the Greeks, Etruscans and Romans, and which seeded the characters we still use today. From the eighth and seventh centuries BC, connected cities were established on Sicily, Sardinia, Malta, the Balearic Islands, the north coast of Africa and the southern coast of Spain and Portugal, all of which shared a Phoenician language and culture of origin.

Paradigm of power

At the centre of this network was Carthage, which grew powerful and wealthy – but also became drawn into conflict with other city states in the region, especially on the island of Sicily, which by the mid-third century BC was partially under direct Carthaginian control. In c264 BC, the Romans launched an all-out war on Sicily that shifted the paradigm of power and, in their own records, created a new narrative about their might. The Greek historian Polybius (c200–c118 BC)sets up his account of the rise of Rome with the lines: “I shall take as my starting point the first time that the Romans crossed to Sicily.”

From the late third century BC, as the Romans fought wars with Carthage, they also started to write about them. Only fragments of lost epic poetry survive from this period, but these few words are some of the earliest surviving pieces of Latin prose and verse, including Naevius’s Bellum Poenicum (The Punic War). So the Carthaginians, and the wars they fought with Rome, were a foundational part of the creation of Latin literature. The events of these so-called Punic Wars (more on that name later) shaped the very nature of the written culture that went on to influence all of the literature of the later European languages that derive from Latin.

A Carthaginian history of the wars survived, too, and we know that pro-Carthaginian (or at least anti-Roman) histories existed in the second century BC, mentioned by Polybius. These are now long lost, with only a few fragments remaining in later sources. So, though Carthage is embedded in the history of Latin literature, only the Roman view survives.

The First Punic War lasted over 20 years, exhausting both sides. As a result, it’s often compared to the First World War in its devastating, and unintended, impact. Polybius described the combatants as “like two equally matched boxers, both courageous, fighting it out for a prize”. At the war’s end in 241 BC – Rome having claimed Sicily, but only briefly invaded north Africa – both sides were almost bankrupt and had lost tens of thousands of soldiers and marines. The peace was only ever likely to be temporary, giving the two cities time to regroup. Because Carthage had lost, it had to pay war indemnity to Rome for 10 years – and the peace held for only a few years longer than the payments continued.

The Second Punic War between the two great cities began just 23 years after the end of the first. The Carthaginian general Hannibal, son of the famous commander Hamilcar Barca, led an army into Italy and challenged the power of Rome in its heartland. That he did this in an attempt to protect the Carthaginian lands of Spain and Africa from an imminent Roman attack in 218 BC is largely forgotten. History blames Hannibal for the war, even though our ancient sources acknowledge so much confusion around the actual causes of the conflict that, just 60 years later, Polybius referred to the details as “the common gossip of a barber shop”. This was contested history in action – and we know today, more than ever, that historical ‘truth’ is not always easy to come by.

When Hannibal crossed the Alps with war elephants, horses and an army, he created a legend for posterity – and sparked mayhem in Italy. Between 218 and 216 BC, he won over to his side forces formerly allied with Rome, and defeated Roman armies in battle after battle.

The Roman memory of Hannibal and the challenge he presented to their state in these years really epitomises how much the Romans created themselves in the face of their battles with Carthage. In the Roman mind, Hannibal was the perfect enemy: brave, intelligent and committed, but also cruel, treacherous and without integrity, according to Livy.

It is worth noting that Livy used a famous Latin phrase – “perfidia plus quam Punica” – which translates as “a treachery more than Punic”. This epitomises the cultural stereotype that the Romans created for the Carthaginians, using the term ‘Punic’ to refer to the culture and language of Carthage. The word comes from the Latin poenus, thought to derive from the city’s founders, the Phoenicians.

‘Punic’ was an ethnic stereotype current in Latin literature by the late third and early second century BC. By the time Livy wrote his history, between 27 and 9 BC, this concept had become very important to the memory of Carthage. That’s because by then the Carthaginians no longer existed: that civilisation had been destroyed well over 100 years earlier.

In Livy’s era, a new Roman colony was being built on the land taken from the Carthaginians. It was also a time when Virgil’s epic poem of Roman identity, the Aeneid, linked Dido and Aeneas – who, according to the myth, became the ancestor of the Romans – in popular memory as star-crossed lovers.

The Aeneid refers to the Carthaginians as deceitful: it calls them “the double-tongued people of Tyre”, tying them to their near-eastern roots and to duplicity. The poem served the interests of the first Roman emperor, Augustus, painting the Carthaginians as the offspring of a vengeful woman, who aimed to destroy Rome. The second century AD satirist Juvenal described Hannibal as “the one-eyed commander/ perched on his monstrous beast!” For Romans of the second century, the Carthaginians had been distilled down to these two caricatures – the wily Dido and the monstrous Hannibal.

Roman propaganda

The Roman imperial propaganda machine so convincingly painted the Carthaginians as monsters to be destroyed, rather than rivals to be contended with, that the story of their culture is difficult to tell today. The reality is that the wars between Carthage and Rome were fought between two powerful city states, formerly allies, for control over the western Mediterranean.

The Roman imperial propaganda machine convincingly painted the Carthaginians as monsters to be destroyed

After Carthage was destroyed in 146 BC, the survivors scattered across Africa or were enslaved across the Mediterranean, and Carthaginian culture was slowly absorbed into the landscape of a new imperial power. Gradually, the western Mediterranean came to speak Latin, not Phoenician or Greek as many of its people had previously, and Rome dominated the region for the next 600 years. But the memory of Carthage persisted. The Aeneid, Livy’s history of Rome (Ab Urbe Condita) and the stories of epic war created a lasting, compelling memory of the Roman past.

In the first century AD, Pliny the Elder’s Natural History tells us, “a statue of Hannibal may be seen in three places in [Rome] within the walls of which he alone of its national foes had hurled a spear”. Loot from Carthage decorated Rome, and the visual memory of the north African city was embedded in the stories of the battles re-enacted in public games and celebrations.

During Rome’s civil wars, the general Marius fled and took refuge at Carthage, resting among the ruins. The historian Velleius Paterculus wrote that “he endured a life of poverty in a hut amid the ruins of Carthage. There, Marius, as he gazed upon Carthage, and Carthage as she beheld Marius, might well have offered consolation the one to the other.”

The Romans framed their own rise to power and empire through their defeat of the Carthaginians, and these stories have preserved a narrative of the city for us today. At the end of antiquity, this memory continued to fascinate, and the idea of Carthage persevered in works ranging from those of Arabic geographers to the Renaissance translations of Latin epics. For centuries, Europeans framed their own wars in the shadow of Rome and Carthage: when Napoleon crossed the Alps in 1800 en route to the battle of Marengo in Piedmont, he echoed Hannibal’s great journey (famously depicted in David’s painting Napoleon Crossing the Alps).

Each year, new scientific techniques and discoveries expand our understanding, and reveal more of a different story of the people of Carthage. But an enduring fact is that without Carthage, the Roman empire as we know it would not have existed.

Eve MacDonald is senior lecturer in ancient history at Cardiff University. Her latest book, Carthage: A New History of an Ancient Empire, was published by Ebury in August